Photo by Eric Beiers
A decade after winning the Eurovision song contest with the track “Hard Rock Hallelujah,” the Finnish costumed monster-band Lordi finally made their debut in Canada. I spoke to frontman Mr. Lordi after a sweaty show at Toronto’s Opera House about what has changed for the band ten years after flirting with mainstream culture, where their characters end and begin, and why they turned down a massive North American and European tour with Gwar.
Shot by Eric Beiers
Edited by Chris Tung
Co-Edited by Eric Beiers
Lordi have European and Russian tour dates lined up for the summer and fall. Their latest album, Monstereophonic (Theaterror vs. Demonarchy), is available now, and you can watch the NSFW video for “Hug You Hardcore” below.
Photos Courtesy of Adrenaline PR
The Mongolian Metallers Return with a New Album and Tour
Mongolian folk metal band Tengger Cavalry is releasing their new album Die On My Ride today, and tomorrow they kick off their North American tour in Montreal, followed by dates in Ottawa and Toronto. The band, led by vocalist and multi-instrumentalist Nature Ganganbaigal, was originally formed in Beijing as a death metal act in 2010. But all that changed when Ganganbaigal moved to New York City four years ago. He integrated throat-singing and Mongolian instruments into the sound, and even re-recorded older songs in the new style (much to the chagrin of some of his old-school fans). I sat down with Ganganbaigal in Toronto and asked him about why he decided to go in that direction, and he didn’t mince words. “The change of my environment” he says earnestly.
“I experienced different things over the years because when I was young... you live in such a high-pressure society which doesn’t support freedom, and has a lot of cultural prejudice. It makes you create rebellious music. But living here I feel more calm, more free to choose who I want to connect to. That’s part of the reason. I’m not putting down any country, I’m just saying it’s how I feel about my environment.”
There is perhaps no greater source of cultural diversity in heavy metal, than in the world folk metal. Weaving traditional music into metal isn’t a new phenomenon, but it has reached new heights in the last two decades. At its best it inspires fans to explore the history and art of other cultures and nations, as well as a bit of metal tourism. It also inspires metal musicians, and it moved Ganganbaigal to ensure that his nomadic culture was properly represented. “When I was young I didn’t care that much about ancestry, culture. When you’re young you just have fun in the city,” he says grinning.
“But when you get older, you want to write something that’s meaningful to yourself. You want to incorporate the culture that you feel connected to with metal music. I hear people making heavy metal all around the world, like Viking folk metal, Celtic metal, so I figure we should have our own. Like Alex (Abayev, bassist) is from Uzbekistan, which is also a nomadic culture. We feel like we’re entitled to create something that’s closer to us, rather than just copy whatever people have done.”
Die On My Ride - 2017
Folk metal bands like Týr from the Faroe Islands or Chthonic from Taiwan, often become the most internationally well-known symbols of their culture thanks to metal’s extreme cross-border appeal. Tengger Cavalry (or “The Army of the Sky God”) is now in a position to become the biggest contemporary representation of Mongolian and nomadic culture in the world. “We definitely want to promote the nomadic culture” says Ganganbaigal.
“If they find it’s just interesting at first, maybe just enjoy the sound. Maybe later on they will dig in and find out, ‘What is that instrument? What are they singing about? Why is it all like, horses, and what is this fuckin’ nomadic shit?!’ You get people asking questions, that’s good. But it’s out of our control. We have no intention to control which direction people want to take it, as long as it’s not something severe like racism, or nationalism.”
Those elements may seem on the rise in U.S. to some, but the heated political climate in America doesn’t faze Ganganbaigal. “I just see this as a baby discussion compared to what I experienced” he says with a laugh.
“That’s like no big deal to me, I feel like I can have fun with it. Here I feel more culturally accepted. People are more focused on what you’re doing, rather than other bullshit.”
You can grab Tengger Cavalry’s brand new album Die On My Ride here. Their North American tour begins tomorrow in Montreal, and you can get the rest of the dates here. They will also play the prestigious Wacken Open Air festival in Northern Germany on August 5th. You can stream the lyric video for the track “Cursed” below.
Photo by Adam Opris
Frontman Christopher Bowes Speaks to Zombitrol Productions
Scotland’s Alestorm are dropping their fifth album of catchy pirate-themed heavy metal today, entitled No Grave But The Sea. Recently the band did a quick run of dates in Montreal, Quebec City, and Toronto to make up for some shows they had to cancel on their last tour. I sat down with frontman Christopher Bowes to talk about the new album, their status as one of metal’s premier gateway bands, and how despite their on-and-off-stage shenanigans, they actually take this music thing pretty seriously.
No Grave But The Sea is out today on Napalm Records, and you can watch the video for “Mexico” below. You can catch Alestorm on the Vans Warped Tour this summer, bookended by lots of European festival dates. Check them all out here.
I would also like to thank the band for donating a signed and defaced vinyl copy of Crimson Shadows’ Kings Among Men, to Zombitrol Productions’ presentation of The Rab Bash, a charity metal show in memory of the legendary Rob Cranny. We raffled off the album as well as a number of other great prizes, and along with the door proceeds, we were able to raise $1,400 for North Toronto Cat Rescue. See the legendary defacement below, as well as the album with winner Ryan Cowdy.
Photo by Charlie Baron
Vocalist Alex Erian speaks to Zombitrol Productions
It’s now been over a decade since Montreal’s Despised Icon helped define the deathcore genre, and the sound has gone through several transformations since their breakup in 2010. Much of the change has arguably been for commercial reasons, so it’s refreshing that in their position as co-creators of the genre, Despised Icon’s first album since their reunion is a back-to-basics affair. The Juno-nominated Beast is a solid slab of Montreal deathcore that hearkens back to their second album, 2005’s The Healing Process.
I met up with Erian before a set at Toronto’s Lee’s Palace to talk about the circumstances that led to the band’s reunion, and why despite their other commitments (including Erian’s job fronting the band Obey The Brave), they are able to make things work this time around. We also chatted about the new album, and why hip-hop may play far less of a role in the band’s music than I had previously thought.
Despised Icon’s Beast is available now on Nuclear Blast Records, and you can watch the video for “Bad Vibes” below. Alex Erian has some upcoming tour dates with Obey The Brave in Quebec, Manitoba, and Alberta starting June 1st, and their new album Mad Season comes out the very next day.